Bill Wilson’s text “A Book About A Book About Death” is now available online. (click here for the PDF)
The book was published in conjunction with the exhibition “Ray Johnson, A Book About Death” held at Kunstverein, Amsterdam December 12, 2009 to January 1, 2010.
Ray Johnson’s “A Book About Death” consists of thirteen unbound pages that he designed between 1963 and 1965. The pages were mass-produced and distributed to his correspondents as separate sheets and in assorted groupings. Since most people did not receive a complete set, a PDF of all the pages is available below.
“A Book About A Book About Death” includes short texts by Wilson about each of the individual pages of “A Book About Death” and it is currently the only publication with in-depth discussion of Johnson’s book. Wilson’s insights reveal important aspects of Johnson’s practice such as his use of letters, doubles and reversals, the significance of surfaces, and an introduction to some Zen-related themes in his work and much more. Here is an excerpt :
“Page 1 opens with questions of evil in a benevolently ordered Universe. The advice of this page is to look to surfaces, not to attempt to descend into depths of meaning, or to intrude on depths of mind or interiority of soul. The implication is to do as Ray does, which is to move laterally from image to image. He works with inconsistencies and discontinuities in order to hold and to spread ideas and images on the surfaces, while allowing inconsistencies to overlap. […] The style of lettering on Page 1 is a model for Ray’s construction of himself, and an example he offers to other people. Do as each letter does, which is to remain separate and independent, while each individual letter contributes its effects to the meaningful whole word. The style of each discontinuous and inconsistent letter prevents it from disappearing into the interior of a word, while stylization of the letter presses down on that letter to formulate its own suggestions of meanings. The concern for each letter suggests the slow and deliberate delays of grief, where grief alters experiences of time. Each word has a visual rhythm of its own, with that rhythm attuned to other rhythms. .”
Note: I assembled the digitized version from a few separate PDFs, so the image quality of the pages is inconsistent. Sorry it is not the best quality scan.